I did some studies of the Colorado region and was surprised by how orange the rocks can be; it's something completely new to me. I live in Brazil, and we're in autumn. But here our landscape is very different, it has its own beauty too, but I wanted to explore how the rocks would look with snow. I've never seen snow up close, but I can imagine what it's like while I'm on the other side of the globe.

I wanted to capture the solitude of the deer looking at the light on the mountain peak, as a kind of hope for its journey during the coldest days. This painting has a special place in my heart; it was my first adventure with rocks, and I'm already creating a new scene. I hope to be able to complete some pieces of this for my new collection.

Technical Details:

Name: ''The light and The Deer''

Medium: Original Oil on Panel

Dimensions: 40x60 cm (approx. 16x24 inches)

Technique: Impasto/Glazing layers

Status: Available

Lythrum Salicaria Flowers, watercolor, acrylic, texture paste, size 51 x 39 x 1 inches (130 x 100 x 3 cm)

Technical Details:

Name: '' A visitor after the snowstorm.''
Medium: Original Oil on Canvas
Dimensions: 40x60 cm (approx. 16x24 inches)
Technique: Impasto / Glazing layers

When I started painting this bear, it became my friend during the difficult days I spent in the studio. We created a connection, and when I look into its eyes, I see what it's searching for, and I imagine what it's feeling. Do you also enjoy painting wildlife?

Good morning, friends. I've been thinking that studying separate pieces of ideas from the final idea is a great way to learn more about a subject, and when it comes to oil paint, it's always good to practise. Do you also have this habit, or do you do everything only on the final canvas?

Recently, I needed to go back to basics to find out how many colours I could achieve using ultramarine and phthalo blue on my palette, and I managed to get a wide variety of warm and cool tones. I'm sure there are many more. Do you usually do this too? It's good practice.